29 175 65 0 slim,prefer你 會有經驗 我無地，你有地就更好亦可 夾租 hotel
吾玩無套，吾玩chem
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29 175 65 0 中等身形，你要有經驗有地最好， 無地亦可hotel share 一半
吾玩chem 同無套
line:99west

都成半個月前了。趁最後一日美食節入場閒逛，竟然發現眼前有個男仔唔著衫！行前睇原來佢係賣止痛貼，仲要貼到成身都係，隱約聽到佢同個女同事講：「老闆要我犧牲色相」；既然引到我睇，即係犧牲得有價值啦！

背脊貼滿全身，好有型！


正面睇佢係有中等胸肌，心口仲掛咗條銅錢裝飾；左耳穿耳環，係Member嘅象徵？


側身去睇胸肌，隔住Mon都見粒釘係凸，好正呀！仲要著灰色棉褲，將籃貨壓落自己條嘢度頂住，勁邪惡！如果我係個師奶貼住正仔就好Lu……


可惜過幾個鐘頭再行過，正仔已經著返衫，好傷心！


不過幾時都話工作中嘅男人最吸引，見佢烏低身銅錢揈揈寫文件，都係唔阻人做嘢。


呢個檔口位於3樓，叫AS Healthway International Limited（反白避免賣廣告，但想佢自己Search到）。最衰唔Sell我；如果下一年同一個正仔仲做兼除衫，我就幫襯買返盒。

PM V7

有冇bi想試插男
留line

平時做開1
有冇後生1仔或0仔想插人
想轉角色比後生1內射
我24/172/60/ 0.5

50.180/77.纯O.不網調.不問下干涉背景生活
有興趣可wechat/line kin9821詳談

HOW SPORTSWEAR TOOK OVER YOUR WARDROBE

    Let’s kick off with a question: what is the most valuable clothing brand in the world? That would be sportswear giant 
    
        Nike
    , which topped the 2018 league table with a total worth of $28bn, despite a 12 per cent drop due to “challenges” in North America and some executive misconduct. Buoyed by rampant sneaker culture and shifting dress codes, this should be a surprise to no-one, because there has been a fundamental shift in men’s fashion. Comfort got cool. The tastemakers went technical. Tracksuits became high fashion. At what point do we stop compartmentalising it as “sportswear” and just call it fashion, or clothes? Fashion’s brand rankings are a clear indication, if you needed one, that sportswear is no longer restricted to the playing of sport. Trailing behind the mighty swoosh, according to marketing consultants Brand Finance, are high street behemoths H&M and Zara, which finished second and third on $19bn and $17bn respectively, followed by a resurgent Adidas, up 41 per cent year on year to $14bn (one of 
    
        Nike
    ’s principle “challenges” in North America). That’s way ahead of the luxurious likes of Hermès, Louis Vuitton and Cartier, which only just reach double figures – of billions of dollars, but still. Being able to wear T-shirts, sweatpants and trainers for more than going to the gym or the corner shop is, after all, the ultimate luxury. What’s changed in recent years is exactly that: sportswear is no longer just casual dress. Even if you work in an office, there’s a good chance you’ll have a pair of sneakers on, perhaps some drawstring trousers. There could be a sweatshirt slung over your chair, a baseball cap on your desk, a track jacket in your bag. Today, it’s completely normal to look smart in clothes that were originally designed to sweat in. This isn’t brand new, of course. Rene Lacoste’s 1927 innovation of a lightweight, breathable “tennis shirt” was subsequently adopted by polo players, Ralph Lauren and the rest of us. Sporting on-court clothing off it is something your grandfather started.

    JUST DOING IT

    “Sportswear as casualwear is essentially a preppy invention – the carryover from hearty WASP athletic pursuits which gave us the likes of the sweatshirt, sweatpants and letterman jacket,” says Josh Sims, author of books such as Men of Style. “Sportswear was appreciated for being tough and practical.” Like military uniform, that other stalwart of menswear, sportswear has long been valued for the rugged characteristics it both possesses in itself and indicates in its wearer. And in sport, like war, competition results in game-changing technological breakthroughs. What we wear on the fields of battle and play has advanced more dramatically than what we wear elsewhere. If sportswear is at the cutting edge of fashion right now, that’s because – in technical terms – it always has been. The current, unprecedented sportswear boom though can also be seen as a pendulum swing away from the hashtag-menswear sartorialism that followed the economic downturn and increased competition for jobs – coinciding with the 2007 airing of Mad Men. As employment rose again, so did jobs that didn’t impose traditional dress codes and a social media-fuelled emphasis on individual creativity.

    Then there’s the swelling fashionability of fitness, which has given us a legitimate excuse to wear sportswear outside the gym beyond comfort and sheer laziness. Instead of spending valuable time fastidiously parting our hair and folding our pocket squares, we’re throwing on hoodies and baseball caps. And if you’re running around town all day, it makes sense to wear shoes designed specifically for marathons. It’s arguably the luxury sector that’s setting the pace. Streetwear designers like Demna Gvasalia at Balenciaga and Virgil Abloh at Louis Vuitton are running the show(s), elevating previously utilitarian sportswear to the very height of fashion. T-shirts, down jackets and sneakers, which grew by 25%, 15% and 10% respectively, were “standout categories” in the 2017 Bain Luxury Study. With its links to skateboarding, surfing and other sports, you could argue that streetwear – whatever that loaded term means – essentially is sportswear. “I’m not sure streetwear is the dominant mode, if you’re talking urban, hip-hop-driven streetwear,” contends Sims. “It’s sportswear with graphics, in effect. “There’s not much original design in streetwear – unlike sportswear, then and now – and what there is tends to be driven by – ta-da – sport.”

    THE EVOLUTION OF THE SOCCER JERSEY

    Once upon a time, the humble soccer jersey served little purpose other than to tell the difference between two teams.

    Occasionally superstition forced a change to the team jersey. For example, up until 1953, Brazil used to play in a white jersey. The mood of a country and the team jersey was forever changed when Sele??o failed to win the 1950 World Cup. A new jersey was debuted 4-years later at the 1954 World Cup and the team has never looked back on their way to winning an unprecedented 5 World Cup titles.

    Such a change was rare and certainly never for marketing purposes.

    Only when Admiral signed a deal to supply the Leeds United jersey of 1973 did things start to change. The deal meant that Leeds could sell replica jerseys with the Admiral logo on, making them recognizable. A whole new market was born.

    Jersey sponsorship wasn’t far behind, although it wasn’t initially something the big clubs caught on to. English side Kettering Town emblazoned ‘Kettering Tyres’ on their kit in 1976, only for the English FA to outlaw the innovation.

    Not long after that, Derby County and Bolton Wanderers applied to have advertising on their shirts and in 1977 the FA granted a license. That’s helped pave the way for lots of record-breaking jersey deals over the years, with suppliers and advertisers.

    Real Madrid are currently eyeing a $125 million per season deal with Adidas to supply their kit, a long way from the sort of money Kettering Town got.

    Not only has the financial aspect of the football shirt developed, but so has the technology used in the shirt itself. Over the years the method by which they’re produced has changed.

    An article by sports coach Jimson Lee reveals that it wasn’t just soccer jerseys that saw a technological change. Nike were one of the first companies to introduce a shirt that essentially kept sweat away from sportsman and women, used by golfers and soccer players alike.

    The drive to find that sporting edge prompted them to develop lighter jerseys to help with speed and endurance. The dri-fit technology even helps keep sweat away from the players during the game.

    Italy’s World Cup 2014 kit took the evolution of soccer jerseys a step further as it “featured a special tape that micro-massaged player’s muscles as they wore it”. The aim was to help a player’s physical recovery by massaging them whilst the jersey was being worn. Labelled a ‘compression kit’, Uruguay also wore a similar jersey at the 2014 tournament.

    The technology is only going to progress even further. With sports science becoming an increasingly popular aspect of soccer, jerseys are being developed with heart rate monitors and GPS tracking signals in them. This will help coaches understand their players’ performance and requirements down to the finest detail.

    From simply being a way to differentiate between two teams, soccer jerseys have become a huge industry. They’re used as a method to develop revenue and income, with big clubs such as England’s Manchester United making huge sums of money from selling shirts with players’ names on.

    They’re also playing a key role in aiding performance and understanding the athletes better, making the soccer jersey an integral part of the modern game in more ways than one.

    Early rugby uniform was not unlike those worn above. Matching wool jumpers were paired with white trousers. Although wool was the de facto “tech” fabric of the era (even early swimsuits were made of wool), it quickly became apparent that the itchy, heavy, knit jumpers were less than ideal in a sporting context. Heavy-gauge cotton shirts worked far better on the pitch, and thus the modern rugby shirt was born.

    How to Choose Yoga Wear

    Refining a downward dog or trying a new balance pose at the yoga studio is challenging enough on its own, but it’s made even harder when you’re fiddling with sagging, too tight or uncomfortable yoga clothes. That’s why it’s important to purchase clothes that are breathable, flexible and comfortable.

    Your yoga clothing purchases will depend largely on personal preference, as well as the style of yoga you plan to practice. But at a high level, here’s what to wear to yoga (see below for a more detailed discussion of these yoga basics):

            Breathable, flexible bottoms like yoga pants or shorts

            A breathable, narrow- or form-fitting top that won’t hang over your head when you’re upside down.

            For women, a sports bra or built-in shelf bra that offers enough support for the type of yoga you’re practicing

            A comfortable, warm top layer for end-of-class savasana (corpse pose) or after class when you’ve cooled down

    Yoga wear is made with polyester-nylon-spandex blends, and for good reason—these fabrics offer the right balance of comfort, breathability and flexibility:

            Comfort: There’s nothing worse than practicing yoga in an uncomfortable piece of clothing. As you tune into your body, you don’t want to focus on itchy seams and tags, saggy or too tight waistbands, or fabric that binds and chafes.

            Breathability: Depending on the type of yoga you practice, you may sweat a little or a lot. Particularly if you’re sweating a lot, it’s important to wear breathable and moisture-wicking materials to keep you cool and comfortable. Tank tops, shirts with cutouts and yoga pants with mesh pockets will all improve breathability and venting. Avoid cotton, which holds moisture, makes you feel hot and damp, then leaves you prone to chafing or getting chilled when class winds down.

            Flexibility: Yoga involves bending, stretching, binding, lunging, reaching and rolling. Your clothes need to be able to keep up with these movements, which means they’ll probably be made with at least 15 percent spandex.

    Jerseys and shorts

    Originally, basketball was played in any type of athletic attire, ranging from track suits to football uniforms. The first official basketball uniforms, as displayed in the Spalding catalog of 1901, featured three types of pants: knee-length padded pants, similar to those worn for playing football, as well as shorter pants and knee-length tights. There were two types of suggested jersey, a quarter-length sleeve and a sleeveless version.The long pants later evolved into medium-length shorts in the 1920s, and by the 1930s, the material used for jerseys changed from heavy wool to the lighter polyester and nylon. In the 1970s and 80s, uniforms became tighter-fitting and shorts were shorter, consistent with the overall fashion trends of these two decades. At this time, women's basketball uniforms transitioned from longer-sleeved uniforms to tank-top style jerseys similar to men's basketball uniforms, which more explicitly showed off players' muscle tone.In 1984, Michael Jordan asked for longer shorts and helped popularize the move away from tight, short shorts toward the longer, baggier shorts worn by basketball players today. Throughout the 1990s, basketball uniforms fell under the influence of hip hop culture, with shorts becoming longer and looser-fitting, team colors brighter, and designs more flashy and suggestive of rappers' bling. At the turn of the 21st century, basketball uniforms became even more oversized and loose-fitting; the arm holes in women's basketball jersey remained smaller than men's, but were wide enough to reveal the players' sports bras.

The ancient fabric that no one knows how to make

                In late 18th-Century Europe, a new fashion led to an international scandal. In fact, an entire social class was accused of appearing in public naked.

                The culprit was Dhaka muslin, a precious fabric imported from the city of the same name in what is now Bangladesh, then in Bengal. It was not like the muslin of today. Made via an elaborate, 16-step process with a rare cotton that only grew along the banks of the holy Meghna river, the cloth was considered one of the great treasures of the age. It had a truly global patronage, stretching back thousands of years – deemed worthy of clothing statues of goddesses in ancient Greece, countless emperors from distant lands, and generations of local Mughal royalty.

                There were many different types, but the finest were honoured with evocative names conjured up by imperial poets, such as "baft-hawa", literally "woven air". These high-end muslins were said to be as light and soft as the wind. According to one traveller, they were so fluid you could pull a bolt – a length of 300ft, or 91m – through the centre of a ring. Another wrote that you could fit a piece of 60ft, or 18m, into a pocket snuff box.

                Dhaka muslin was also more than a little transparent.

                While traditionally, these premium fabrics were used to make saris and jamas – tunic-like garments worn by men – in the UK they transformed the style of the aristocracy, extinguishing the highly structured dresses of the Georgian era. Five-foot horizontal waistlines that could barely fit through doorways were out, and delicate, straight-up-and-down "chemise gowns" were in. Not only were these endowed with a racy gauzy quality, they were in the style of what was previously considered underwear.

                In one popular satirical print by Isaac Cruikshank, a clique of women appear together in long, brightly coloured muslin dresses, through which you can clearly see their bottoms, nipples and pubic hair. Underneath reads the description, "Parisian Ladies in their Winter Dress for 1800".

                Meanwhile in an equally misogynistic comedic excerpt from an English women's monthly magazine, a tailor helps a female client to achieve the latest fashion. "Madame, ’tis done in a moment," he assures her, then instructs her to remove her petticoat, then her pockets, then her corset and finally her sleeves… "‘Tis an easy matter, you see," he explains. "To be dressed in the fashion, you have only to undress."

                Still, Dhaka muslin was a hit – with those who could afford it. It was the most expensive fabric of the era, with a retinue of dedicated fans that included the French queen Marie Antoinette, the French empress Joséphine Bonaparte and Jane Austen. But as quickly as this wonder-cloth struck Enlightenment Europe, it vanished.

                    By the early 20th Century, Dhaka muslin had disappeared from every corner of the globe, with the only surviving examples stashed safely in valuable private collections and museums. The convoluted technique for making it was forgotten, and the only type of cotton that could be used, Gossypium arboreum var. neglecta – locally known as Phuti karpas – abruptly went extinct. How did this happen? And could it be reversed?

                    A fickle fibre 

                    Dhaka muslin began with plants grown along the banks of the Meghna river, one of three which form the immense Ganges Delta – the largest in the world. Every spring, their maple-like leaves pushed up through the grey, silty soil, and made their journey towards straggly adulthood. Once fully grown, they produced a single daffodil-yellow flower twice a year, which gave way to a snowy floret of cotton fibres.

                    These were no ordinary fibres. Unlike the long, slender strands produced by its Central American cousin Gossypium hirsutum, which makes up 90% of the world’s cotton today, Phuti karpas produced threads that are stumpy and easily frayed. This might sound like a flaw, but it depends what you’re planning to do with them.

                    Indeed, the short fibres of the vanished shrub were useless for making cheap cotton cloth using industrial machinery. They were fickle to work with, and they’d snap easily if you tried to twist them into yarn this way. Instead, the local people tamed the rogue threads with a series of ingenious techniques developed over millennia.

    What is flannel fabric?

    Essentially, flannel fabric simply refers to any cotton, wool, or synthetic fabric that fulfills a few basic criteria:

    Softness: Fabric must be incredibly soft to be considered flannel.

    Texture: Flannel has either a brushed or unbrushed texture, and both textures are equally iconic.

    Material: While many materials can be used to make flannel, not all materials are suitable for this fabric. Silk, for instance, is too fine to be made into flannel, which is supposed to be both soft and insulative.

    Flannel in history

    It’s believed that the word“flannel” emerged in Wales, but we know for a fact that the term was in common usage in France in the form “flannelle” as early as the 17th century. While flannel was periodically popular among the French and other European peoples throughout the Enlightenment era, interest has waned elsewhere while Welsh flannel use has only increased.

    Flannel today

    These days, types of flannel are often known by their association with certain Welsh towns or regions. Llanidloes flannel is very different from Newtown flannel, for instance, and Welsh flannel varieties vary significantly from all other European flannel types.

    Blanket

    Sheet, usually of heavy woolen, or partly woolen, cloth, for use as a shawl, bed covering, or horse covering. The blanketmaking of primitive people is one of the finest remaining examples of early domestic artwork. The blankets of Mysore, India, were famous for their fine, soft texture. The loom of the Native American, though simple in construction, can produce blanket so closely woven as to be waterproof. The Navaho, Zu?i, Hopi, and other Southwestern Native Americans are noted for their distinctive, firmly woven blankets. The Navahos produced beautifully designed blankets characterized by geometrical designs woven with yarns colored with vegetable dyes. During the mid-19th cent. the Navahos began to use yarns imported from Europe, because of their brighter colors. The ceremonial Chilcat blanket of the Tlingit of the Northwest, generally woven with a warp of cedar bark and wool and a weft of goats' hair, was curved and fringed at the lower end. In the 20th cent., the electric blanket, with electric wiring between layers of fabric, gained wide popularity.

    How to Properly Use a Bath Mat

    Whether you’ve just remodeled your bathroom or you’re looking to spruce up your existing space for the season, accessories like a handsome bath mat, perfectly patterned shower curtains, or the plushest of bath towels will take the room from everyday necessity to serene spa destination. While just as important as the others, the lowly bath mat can get overlooked. But don’t make the mistake of opting for the first white terrycloth style you see. The right bath rug won’t just help you avoid the unpleasant shock of stepping onto bare tile after a shower. It will give your floor—and the whole room—an extra hit of much-needed personality. Here, we’ve gathered bath mats that are soft, absorbent, and beautifully designed. Think geometric prints, cheery stripes, even a cheeky banana-shaped option—plus many more.

    First off, everyone had some great suggestions as to why we use bath mats at all. They soak up water, yes, but they also keep us from slipping and smashing our heads through the toilet, and act as a temperature buffer for our toesies between the hot shower and the ice cold floor. Gee, bath mats are pretty swell!

    When it came to usage, the general consensus was that this is the wrong way to do it:

    Finish shower

    Step out onto mat

    Grab towel

    Then dry off

    It leaves the bath mat soggy and wet for whoever showers after you. It also makes you much colder during the drying process.

    Most people seemed to agree that this is the right way to do it, though:

            Finish shower

            Grab towel from inside the shower

            Dry off inside the shower

            Then step out onto the mat

    But you all suggested a few excellent additions, like keeping your towel within arm’s reach of the shower so you don’t have to get cold to grab it, squeegeeing your hair and body to remove excess water before you dry with a towel, keeping the curtain or shower door closed while you dry off to stay warm, drying off from the top down (hair first), and hanging up the mat over the edge of the tub or shower when you’re done so it can dry without looking like a random wet towel on your floor.

    What is the Difference Between Fleece and Flannel?

    As you already know, the main difference between fleece and flannel is what they are made of. Fleece has synthetic fibers, and flannel features loose cotton threads. But because of their different fibers, these fabrics and finished products have several unique characteristics.

    Take a look at this in-depth comparison of key features such as warmth, softness, and sustainability for each type of fabric.

    Warmth

    Most of the time, fleece has a thicker nap and also provides more warmth than flannel. Now, flannel is quite a cozy and warm fabric in its own right! But in comparison, fleece usually wins the warmth contest.

    The exception to this rule is that some high-quality types of flannel contain wool fibers, and these types of flannel provide intense warmth!

    What makes fleece so warm? Its many tiny, raised polyester fibers trap heat and hold them in the loose, velvety surface of its pile. If you have ever stuck your hand into your dog’s fur in the middle of winter, you know how all those tiny hairs hold immense warmth against your pet’s skin! Fleece fibers work the same way when you wear them against your skin.

    Softness

    Fleece is often softer than flannel, but if you have sensitive skin, you may find that its synthetic fibers also have a slightly plasticky feel. Of course, you will find exceptions to this rule, especially in flannel made with silk fibers. This will probably feel much softer than even the softest fleece!

    Because both types of material go through a napping process, they both feature an incredibly soft texture on at least one side of the material. Fleece usually has a thicker, deeper pile, while flannel has a faint fuzziness on top of its woven surface.

    If you rest your hand on top of the fleece, you feel as if your fingers can sink into the thick surface, at least a little. When you rest your hand on a piece of flannel, you typically feel a cozy fuzziness.

    Blankets

    Both fleece and flannel make excellent blankets and throws! You can find soft, pretty fleece and flannel blanket in pretty much any color or design you want.

    That said, you should probably go with flannel for a baby blanket, as synthetic materials can sometimes cause allergic reactions.

    If you plan to sew a blanket, though, you will want to use fleece. Flannel unravels super fast due to its loose weave, making it challenging to cut and sew. Fleece does not unravel when cut because it has a knitted construction with threads looped over each other.

What is a Paper Making Machine?

    I know you’re looking for a paper bag machine that’s why you are here.

    Maybe, you want to be a paper bag wholesaler or make branded designs for your retail business.

    The truth is, paper bags are dear packages for food vendors, retailers, and even manufacturers.

    But, how can you venture in this business?

    Or, what is the most cost effective way of making paper bags?

    Today’s guide debunks the facts behind paper bag making process and machine such basic definition, working principle, classification, design, technical specification, etc.

    So stay with me to be an expert in paper bag making industry.

    Let’s begin with some facts.

    Apart from the other devastating problems associated with plastic bags, did you know that synthetic bag manufacturers produce about one trillion of those bags in a year globally?

    Did you also know that it takes one thousand years for a single bag of this kind to biodegrade?

    Yes, that’s the scariest part of it.

    Due to that, most governments are imposing bans on these carriers.

    The alternative?

    A mega-shift to more environmentally friendly paper bags.

    So basically a paper bag making machine is a state of the art machine that gathers, folds, stamps, and processes papers to produce clean paper bags.

    These paper bags are for use in the packaging of goods in various industries such as food, pharmaceutical products, grocery, and baking industries.

    The bag making machines come in various configurations depending on the type of bags for final production.

    Therefore, the paper bag making system should be versatile enough to cater to the dynamics in the paper bag manufacturing.

    Today different paper bag making stakeholders such as the machine manufacturers, raw material suppliers face a lot of shifting customer demands, government regulations, changing prices, etc.

    It’s thus good only if the machine can afford the manufacturer some relief.

    For that matter, it means that you need to know all the factors related to the paper bag making the machine.

    Besides, all the accompanying dynamics before making a purchase.

    Luckily, I have compiled all that you need to know in this article.

    The history of development and use of paper bag making machine dates back to the 19th century.

    During these early stages, the systems were simple and mechanically operated.

    With that, we move to the next step.

    Where to Use Paper Bag Making Machine

    Take a moment to reflect on the occasions you use a paper bag.

    Indeed paper bag forms a vital integral in our lives today.

    From simple uses such as carrying random goods to more complex ones such as in pharmaceuticals to wrap up drugs.

    One thing is for sure.

    Without paper bag making machine, we would be missing a significant aspect of our lives.

    Surely, there are numerous uses of paper bag making the machine.

    Subsequently, the produced paper bags can be classified under different distinct categories depending on their purposes.

    We carry stuff in them -– groceries, clothes, gifts, trash and booze. I carried my lunch to school in one until the fourth grade because my mother would decorate them with stickers and drawings. People add sand and candles to them to illuminate their neighbourhoods at Christmas. Disgruntled sports fans cover their heads with them. But how many people know where the flat-bottomed paper bag came from? Or that its invention was a triumph of feminism over patriarchy, and of brains over bullying?

    For most of recorded history, containers were made of leather, wood, cotton and reeds. Paper, made by hand one sheet at a time, was a luxury, used only for books, records and letters by the literate few. In 1799, a French inventor named Louis-Nicolas Robert was granted a patent for a machine that produced rolls of paper. This invention brought paper to the masses. Soon, merchants were using rolled paper, or ‘cornucopias’, to package small quantities of goods, with predictably messy results. They also constructed rudimentary paper bags by hand, which was a time-consuming and not always successful process.

    The race was on to produce a paper bag that was both sturdy and easy to make. In 1852, the American Francis Wolle received the first patent for a square bottom paper bag machine. It used steam and paste to create bags in the shape of envelopes. Though the machine became popular, the bags it produced were cumbersome and of limited use – picture a load of groceries in a large envelope-shaped sack. Still, they were better than nothing at all, and factories producing the bags multiplied. In the late 1860s, Margaret Knight, a tall, endlessly inquisitive and hard-working New Englander, went to work for the Columbia Paper Bag Company in Springfield, Massachusetts. Within a few years, her ingenious designs would revolutionise the industry.

    Born in 1838, Knight’s childhood was shaped by the industrial revolution. At first glance, hers is the classic victim’s story – raised by a widowed mother, and put to work by the age of 10 in the brutally inhospitable cotton mills of New Hampshire. But from her earliest days this uneducated labourer had an agile, inventive mind. While still a child, Knight saw a fellow worker injured when a steel-tipped shuttle shot off a loom. She soon created a shuttle cover to prevent any more accidents, and her invention was adopted by her factory. In an interview with the progressive Woman’s Journal in 1872, she recalled her unconventional youth: As a child, I never cared for things that girls usually do; dolls never possessed any charms for me. I couldn’t see the sense of coddling bits of porcelain with senseless faces: the only things I wanted were a jack-knife, a gimlet, and pieces of wood. My friends were horrified. I was called a tomboy; but that made very little impression on me. I sighed sometimes, because I was not like the other girls; but wisely concluded that I couldn’t help it, and sought further consolation from my tools. I was always making things for my brothers; did they want anything in the line of playthings, they always said: ‘Mattie will make them for us.’ I was famous for my kites; and my sleds were the envy and admiration of all the boys in town.

    By the time she joined the Columbia Paper Bag Company as a lowly factory worker, the 30-something, unmarried Knight had spent years as a ‘Jill-of-all-trades’, becoming proficient in daguerreotype, photography, engraving, house repair and upholstering. Spending long hours at the factory, she soon heard of current efforts to create a flat bottom paper bag machine that could efficiently manufacture flat bottom paper bag. ‘I am told that there is no such machine known as a square-bottomed machine,’ she wrote in her journal. ‘I mean to try away at it until I get my ideas worked out.’ Independent of the factory and without her bosses’ knowledge, Knight began to study the issue intently.

    By 1867, she was hard at work on creating a machine that could ‘cut, fold and paste bag bottoms itself’. Her work kept her up at night, leading the manager of her boarding house to declare: ‘I saw her making drawings continually… always of the machine. She has known nothing else, I think.’ Her work on the machine also bled into her shifts at the factory. This initially annoyed her superiors – until she showed them her plans – which led them to believe that she had a ‘keener eye than any man in the works’. After a ‘rickety’ wooden model of her machine proved successful, producing thousands of ‘good, handsome bags’, she had an iron version produced in 1868. While the machine was at a Boston shop to be refined, it was viewed by Charles F Annan, a would-be-inventor of dubious morality.

    Knight prepared to apply for a patent for her new machine. In 1871, she was shocked to find that Annan had already been granted a patent to the machine, which he claimed as his own. The dispute ended up in court, where the cash-strapped Knight spent $100 a day to hire a patent attorney to prove that she was the machine’s true inventor. Annan’s lawyer argued that an uneducated, self-taught woman could never have built such a sophisticated machine. He was countered at every turn by the mountains of physical evidence and eye-witness testimony Knight produced. ‘I have from my earliest recollection been connected in some way with machinery,’ Knight protested. In the end, the commissioner of patents found in favour of Knight, though officials could not resist chastising her for waiting so long to apply for her patent. However, since Knight was not a ‘man of business’, this oversight was forgiven.

    On 11 July 1871, Knight was granted patent number 116,842 for her ‘new and improved shopping paper bag machine for making paper bags’. She soon formed the Eastern Paper Bag Company with a partner, and became a media darling for her revolutionary machine, which did the work of 30 labourers. The new stand-alone, flat-bottomed bags were quickly adopted by large department stores and grocers, and Knight was awarded a royal honour from Queen Victoria. In 1883, Charles Stilwell of the Union Paper Bag Machine Company, working from Knight’s patent, further advanced the paper bag with his invention of a machine that produced the Self-Opening-Sack (SOS), the pleated flat-bottomed bags that are used today.

    The vivacious Knight, dubbed by one paper the ‘lady Edison’, would spend the rest of her long life – she died aged 76 in 1914 – inventing. By 2006, when she was inducted into the Paper Industry International Hall of Fame, it was estimated that around 25 billion paper sacks were used annually throughout the world.

    In the past decade, Knight’s dramatic story has been told in two popular children’s books – Marvelous Mattie (2006) by Emily Arnold McCully, and In the Bag! (2011) by Monica Kulling. She is emblematic of a whole multitude of female inventors, such as Mary Anderson (the windshield wiper), Katharine Blodgett (non-reflective glass), and Stephanie Kwolek (Kevlar), who created life-changing inventions within industries – and a world – dominated by men. Their stories are important and should be better known. They can inspire future generations of girls and young women to tinker, experiment and invent.